Big Fly from the Male Shooting Chant

Holy Boy went out side and Big Fly landed on his shoulder. Big Fly told him he should try to take down the Sun before noon. (Reichard: 1939)


 Index

Ant
Beetle
Butterfly
Caterpillar
Centipede
Cicada
Dragonfly
Firefly
Grasshopper
Moth

Spider Woman
Other Spiders
About the Author/Artist

Bibliography



 


Links:


Coyote and Anotherone

Historic Coyote Tales

Patron Saints

Library of Congress

Encyclopedia Mythica

Contact Author/Artist





 




By Susi Nagoda Bergquist

 


Flies play a surprising part in the mythic thought of several Native American groups.Fly, as Big Fly, is very important to the Navajo Indians in Northern Arizona and New Mexico. In the Piman speakers of Southern Arizona and Northwestern Mexico, Blue-Green Fly makes a casual appearance in piman myth, however he teaches theSeris of the Son oran coast how to make fire. Robber Fly is a hunter in Chiricahua Apache lore. Read on and find out a bit more about Fly in myth.



Big Fly, do'tsoh, is an intercessor, mentor and advise giver. He appears to have much of the capacities of the Spider Woman figure in the Navajo except to men, especially Holy Man. He is the guardian of the east side of the sand painting and a major figure in the Hail and Wind chants. In the day time Big Fly can be represented




as Wind's Child or Sunbeam. As a mentor, Big Fly differs from a god in that he need no offering or payment. Big Fly is part of the Sum-Sky complex, (Reichard:1950) . Big Fly is representative of speech, and as the daytime messenger of the Sun, he some times is identified with Talking God. Bat is the counter part of Big Fly at night.


In real life, Big Fly is probably the Tachnid fly, Hystricia pollinosa. This species often alights on the shoulder or chest of a person an seems very friendly. They are known as the guardians of the Balance of Nature, as the larva is parasitic on insects detrimental to agriculture such as the Gypsy Moth and the Squash Bug, (Lutz:1948).




Page two of Native American Fly Myths

All the above material text and Illustrations are under copyright by Susan Nagoda Bergquist c 2000 to 2003.